Cathédrale Notre-Dame de Paris

With great sorrow the world witnessed blaze in Paris on April 15, 2019.
To benefit the restauration of Notre Dame, we are preparing a project to take place during Paris Photo this November.

We will keep you informed of further details of this auction and how to contribute.

 

Coucher de Soleil sur Notre Dame, June 1909, autochrome, Léon Gimpel (1878-1949)
Coucher de Soleil sur Notre Dame, June 1909, autochrome, Léon Gimpel (1878-1949)
Art Basel 2019

1950-2000
50 Years of Post-War Works on Paper

 

Vernissage (by invitation only)

Wednesday, June 12, 2019, 11am to 8pm

Public days

June 13-16, 2019, 11 am to 7pm

Booth F8

Daniel Blau is pleased to present a group exhibition of large-format works on paper by renowned international artists including Andy Warhol (1928-1987), Antonius Höckelmann (1937-2000), Georg Baselitz (*1938), Arnulf Rainer (*1929), Emilio Vedova (1919-2006) and ar. Penck (1939-2017).

 

In a series of bold 1980s works on paper by Penck the influences of the artist’s parallel practices as a sculptor and jazz drummer are palpable. These gestural works are characterised by rhythm and spatial awareness. These striking monochromes are complemented by a selection of earlier, color, almost abstract pieces from the 1970s – in black, red and blue gouache and wax crayon, perhaps coincidentally the colors of German electric cabling.

 

The human form and portraiture are the primary subjects of Andy Warhol’s line drawings from the 1950s, discovered in the artist’s estate. Warhol found inspiration in the pages of publications such as LIFE magazine, and many of his drawings reference photographs and graphic advertisements of the time. We are showing a selection of individual drawings of men, women and children.

 

Other exhibition highlights include works on paper by Arnulf Rainer and Emilio Vedova and ‘Orgie 1’ (1967-60) a large-scale charcoal and pencil work on paper by Antonius Höckelmann, who trained as a wood sculptor in the 1950s and whose mixed media works often combine sculpture and painting.
There is an appealing immediacy to these energetic and unpolished pieces, qualities that are also visible in in two towering oil paintings on canvas by American artist and musician Don Van Vliet – aka Captain Beefheart. His painting ‘Archaic Faces Frenzy’ (1986) depicts elongated figures set against a vivid background.
The post-WWI period is represented by a small group of nudes and erotic pencil drawings by George Grosz.

 

Andy Warhol— From A to B and Back Again

Upcoming Exhibition | Andy Warhol— From A to B and Back Again

May 19–September 2, 2019

Floor 4
Additional galleries on Floors 2 and 5

 

Andy Warhol at San Francisco Museum of Modern Art
Few American artists are as ever-present and instantly recognizable as Andy Warhol (1928–1987). Through his carefully cultivated persona and willingness to experiment with non-traditional art-making techniques, Warhol understood the growing power of images in contemporary life and helped to expand the role of the artist in society. This exhibition — the first Warhol retrospective organized in the U.S. since 1989 — reconsiders the work of one of the most inventive, influential, and important American artists. Beneath the glamour of Warhol’s wide-ranging creations is a deep engagement with the social issues of his time that continue to resonate today.

Stretching across three floors of SFMOMA, featuring a dozen works unique to this museum, and building on a wealth of new materials, research, and scholarship that has emerged since the artist’s untimely death in 1987, this exhibition reveals new complexities about the Warhol we think we know, and introduces a Warhol for the 21st century.

Andy Warhol—From A to B and Back Again is organized by the Whitney Museum of American Art, New York.