Author: dblauadmin
July 7, 2010 – July 30, 2010
Glen Baxter
Christa Dichgans
Neal Fox
Dan McCarthy
Matt Mullican
Don van Vliet
Andy Warhol
u. a.
December 23, 2010
A selection of fine and rare pictures from the early years of photography, 1839-1859. As a parallel exhibition at Paris Photo, we will show unusual and rare portraits from the 1850’s by artists like Roger Fenton, Charles Marville or Charles Nègre.
March 17, 2011 — March 27, 2011
TEFAF 2011. www.tefaf.com
MECC, Forum 100, 6229 GV Maastricht, The Netherlands

October 8, 2010 – November 11, 2010
Infamous for their Fuck Faces and their gruesome Hell and Fucking Hell war-landscapes, the Chapman brothers made their first big appearance in 1997 at the Sensation exhibition in the Royal Academy of Art. These stars of the London art scene will now be coming to Munich to put on Cained and Disabled, the next chapter, an exhibition comprised of sculptures from the “Litte Death Machines” series, as well as portraits, à la Dorian Gray, from the cycle One Day You Will No Longer Be Loved.
Dinos Chapman was born 1962 in London and Jake Chapman 1966 in Cheltenham. Dinos studied painting and Jake sculpting at the Royal College of Art in London. Their works have been shown in important museums around the world (Tate, London, Groninger Museum, Groningen etc.) and can be found in notable international collections, such as those of the Museum of Modern Art in New York, the Tate Gallery in London, the Museum Kunst Palastin Düsseldorf and the Palazzo Grassi in Venice.
Jake and Dinos live and work in London.
May 2, 2008 – May 24, 2008
September 13, 2008 – October 6, 2008
In the weeks from the 13th of September to the 6th of October the Gallery Daniel Blau will be exhibiting works by Neal Fox, a young artist from London and recent introduction to the art world.
Fox’s artistic roots lie with illustration as with the experiences and tales he gathered from a complex web of characters ranging from the beat poets Allen Ginsberg and Gregory Corso to Francis Bacon, Andy Warhol, Grace Jones and the occulist Aleister Crowley.
The same pubs and haunts in Soho that became the gathering points for London’s artistic, bohemian and alcoholic culture, of which Fox’s grandfather was a part, are now frequented by Neal Fox and a new generation of eccentric minds. The remarkable life of his grandfather, John Watson, inspired Mr. Fox as a teenager to explore the myths of a life as a WWII bomber pilot in Germany, a writer of several novels and some “trashy paperbacks about cowboys and gangsters,” a chat show host, publisher and drinker in Soho.
Fox’s earliest illustrations were based on his grandfather’s books, and Watson still appears in most of his ink drawings, always dressed in a dark trenchcoat holding a drink and looking on as mastiffs attack a bear in an Elizabethan arena or flying a helicopter filled with playmates, as a a naked Oliver Reed and a peg-legged Keith Moon engage in a vicious swordfight.
The large inks on paper by the twenty-six year old artist show scenes of apomorphium hallucinations, trainrides through Europe, and surreal depictions of Andy Warhol, Basquiat and Truman Capote at the infamous Studio 54. The viewers’ glances are seemingly returned by some of the subjects in the drawings, and one is thus introduced as a photographic voyeur to the distorted perspectives of Neal Fox’s fantastical illustrated trips.
June 29, 2007 – July 28, 2007
April 21, 2007 – June 2, 2007
February 2, 2007 – March 31, 2007
The Gallery Daniel Blau is pleased to present an exhibition documenting a crucial turning point in the History of Photography. The Exhibition titled Petite Paradise shows Autochromes for the first time in a Gallery in Germany, and to our knowledge for the first time entirely. Autochromes are the first convincing form of Colorphotography that was primarily available on the market in 1907. The exhibited Autochromes from the 1920’s show atmospheric, idyllic views of France, of its coasts as well as the gardens and alleys of Paris.
When in 1907 the brothers Lumière published their on dyed potato starch grain based Autochrome method, the magazine‚ L’Illustration’ exclaimed „The old and cold black and white photography is from now on only of secondary interest.“ Quickly euphoria spread from the Amateur photographers to the famous Artists — despite the immense production costs and thedifficulty of reproducing the images.
The Gallery presents the original glass-plate photographs in especially made lightboxes. Through these, the illuminated images obtain an atmosphere that impresses. The light drowns the areas, brightens and colors them. The title of the exhibition is reflected in every single Autochrome. Atmospheric scenes of Parisian alleys stand next to lively squares, large parks next to lonely ruins. Coastal cliffs contrast to still bays.And throughout the colors act so intensely, that one can withdraw oneself from their intimacy only with great effort.
October 19, 2006 – October 28, 2006
This exhibition focuses on drawings from the 1960’s by Baselitz, Immendorff, Lüpertz and Penck. All works are part of the collection of Johannes Gachnang (1939-2005) the Swiss publisher and influencial curator of groundbreaking exhibitions such as Europa-Amerika, Bilderstreit, Documenta VII.
As last year, the Gallery will be hosting the Paris based gallerist Anthony Meyer, with his exquisite Oceanic Art, and the goldsmith Otto Jakob, with his fabulous jewels and objects.





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