Poitevin exhibition – DANIEL BLAU

DANIEL BLAU

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Poitevin exhibition

installation shot

installation shot

installation shot

installation shot

Louis Alphonse Poitevin (1819-1882) "Reproduction of a Drawing of 'The Rape of Helen' After Anne-Louis Girodet de Roussy-Trioson", 1861 pigment process with ferric chloride and tartaric acid (probably double transfer) 18,6 (27,0) x 18,8 (23,3) cm

Louis Alphonse Poitevin (1819-1882) "Reproduction of a Drawing of 'The Rape of Helen' after Anne-Louis Girodet de Roussy-Trioson", 1861 pigment process with ferric chloride and tartaric acid (probably double transfer), with applied lead white highlights 20,1 (28,6) x 20,4 (23,3) cm

Louis Alphonse Poitevin (1819-1882) "Reproduction of a Drawing of a Mythological Scene", c 1840 - 1850 gold-toned salted paper print 22,2 x 34,6 cm

Louis Alphonse Poitevin (1819-1882) "View of Conflans-sur-Anille", 1856 - 1857 photolithograph 26,3 (33,8) x 35,5 (48,2) cm

Louis Alphonse Poitevin (1819-1882) "View of Poitevin's House (Bourg de Conflans-sur-Anille)", 1856 - 1857 photolithograph 26,7 (35,2) x 34,2 (45,2) cm

Louis Alphonse Poitevin (1819-1882) "View of de Charly's House (Renaison, Loire)", 1855 - c. 1860 pigment process with dichromated albumen or gelatin (?), with applied carbon (?) powder and an unexplained presence of gold 22,4 x 28,3 cm

Louis Alphonse Poitevin (1819-1882) "Reproduction of a Painting of a Hunting Still Life", 1855 - c. 1860 pigment process with dichromated albumen or gelatin (?), with applied carbon (?) powder and an unexplained presence of gold 27,5 x 22,2 cm

Louis Alphonse Poitevin (1819-1882) "Reproduction of a Painting of a Hunting Still Life (by P. hamon viellicht)", 1855 - c. 1860 pigment process with dichromated albumen or gelatin (?), with applied carbon (?) powder and an unexplained presence of gold 26,2 x 22,4 cm

Louis Alphonse Poitevin (1819-1882) "Reproduction of a Painting of 'The Rape of Helen'", 1855 - c. 1860 pigment process with dichromated albumen or gelatin 27,0 x 25,4 cm

Louis Alphonse Poitevin (1819-1882) "Arc de Triomphe, Detail of François Rude's 'La Marseillaise'", c. 1855 - 1860 gold-toned salted paper print, insufficiently fixed, possibly experimental combination with chromium salts 28,3 x 22,0 cm

Louis Alphonse Poitevin (1819-1882) "Notre-Dame de Paris: Saint Étienne During Restauration", 1855 - c. 1860 pigment process with dichromated albumen or gelatin 27,0 x 21,5 cm

Louis Alphonse Poitevin (1819-1882) "Portrait, Possibly of Henri Le Secq ", 1855 - c. 1860 pigment process with dichromated albumen or gelatin 27,7 x 21,8 cm

Louis Alphonse Poitevin (1819-1882) "Reproduction of a Drawing of a Group of Heads", 1855 - c. 1860 pigment process with dichromated albumen or gelatin 13,3 x 21,9 cm

Louis Alphonse Poitevin (1819-1882) "Self-Portrait of Alphonse Poitevin", 1855 - c. 1860 pigment process with dichromated albumen or gelatin 14,1 x 11,2 cm

Louis Alphonse Poitevin (1819-1882) "Notre-Dame de Paris: Saint-Étienne Portal During Restoration", 1855 - c. 1860 pigment process with dichromated albumen or gelatin 27,4 x 21,8 cm

Louis Alphonse Poitevin (1819-1882) "Reproduction of an Illustration (Possibly Myth of Pygmalion)", c. 1861 - 1868 pigment process with ferric chloride and tartaric acid (single or double transfer) 18,5 (29,8) x 14,3 (23,0) cm

Louis Alphonse Poitevin (1819-1882) "Flying Buttresses of a Cathedral", c. 1840 - 1850 gold-toned salted paper print 25,3 (46,8) x 19,3 (35,0) cm

Louis Alphonse Poitevin (1819-1882) "Reproduction of a Drawing of Sheep in Meadow by Rosa Bonheur, 1855", 1856 - 1857 photolithograph 21,4 (32,1) x 35,7 (48,6) cm

Louis Alphonse Poitevin (1819-1882) "Portal of Hotel Dieu", c. 1840 - 1850 gold-toned salted paper print 36,0 (52,0) x 25,2 (40,2) cm

Louis Alphonse Poitevin (1819-1882) "View of Montbouy sur Loing with Notre-Dame et Saint-Blaise ", c. 1840 - 1850 gold-toned salted paper print 24,8 (46,7) x 19,1 (34,5) cm