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Bulletin #14

 
 

Early Photography in Japan
 
 

Photography was first introduced to Japan at a time of great upheaval in the country.  


Bulletin #13

 
 

Yoshito Matsushige & Yōsuke Yamahata
 
 

Eyewitnesses of the final bombings of Hiroshima and Nagasaki  


Bulletin #12

 
 

Snow Studies
 
 

“How full of the creative genius is the air in which these are generated! I should hardly admire more if real stars fell and lodged on my coat.” Henry David Thoreau


Bulletin #11

 
 

Message in a Bottle
 
 

A “found object” is understood to be an object, part of the everyday or natural surroundings, which is made into a work of art.


Bulletin #10

 
 

Architecture & Photography
 
 

GEORG KOPPMANN Vintage Photographs of Historic Hamburg


Bulletin #9

 
 

Architecture & Art
 
 

Housing Projects by Lüpertz, Kiefer and Immendorff


Bulletin #8

 
 

A Victorian Photographer Abroad
 
 

Francis Frith’s (1822-1898) photographic tours to Egypt in 1856-57 and 1859-60 were by far the most ambitious and systematic excursions of his time


Bulletin #7

 
 

Travelling Photographers
 
 

“Travel to Egypt? They all start dancing with sheer joy,” he wrote. “As if that was something other than going to London.”


Bulletin #6

 
 

Carbon Printing
 
 

One of the most common printing processes developed in the 1850s is the carbon print.


Bulletin #5

 
 

So far yet so close: NASA Lunar Orbiter Photographs
 
 

The photographs taken by a machine are the remnants of one the first successful attempts at exploring our nearest celestial neighbour.


Bulletin #4

 
 

Karl-Heinz Schwind
 
 

“Images enlarge the space, expand it – form tunnels into other worlds, make the room a Charles de Gaulle departure hall”


Bulletin #3

 
 

auto – Mobile
 
 

There are just a few examples of the ways in which artists have turned their attention to cars and car cultur


Bulletin #2

 
 

Cyanotype
 
 

The cyanotype process is chemically simple and limited in terms of the color…


Bulletin #1

 
 

Retouching in Photography
 
 

“It is not the camera but the skill of the operator that produces a realistic-looking photograph”